Here’s a new band on me: Micachu and The Shapes (with multi-instrumentalist Mica Levi, keyboardist Raisa Khan and drummer Marc Pell) have been playing and recording highly idiosyncratic pop music since 2008. I’m glad to say I’ll be seeing them with another eccentric pop band I’ve written about, tUnE-yArDs featuring Merrill Garbus, as well as Delicate Steve, about whom I know almost nothing. Of course tUnE-yArDs is my main reason for going to the show (June 1st at Terminal 5 in New York City), but researching the other bands on YouTube, I discovered this is promising to be an extraordinary evening. Continue reading
I’ve been listening to tUnE-yArDs via YouTube most of the morning. I am wild about the African-inspired polyrhythms and harmonies, the booming, surprising, versatile voice of founder and chief-creative genius Merrill Garbus, the edgy, Jah-Wobbly bass of Nate Brenner, the discordant post-bop Fela-infused horns of Matt Nelson and Kasey Knudsen. Here’s a live studio rendition of “Real Live Flesh” from their EP Bird-Droppings (the “official video” is awfully cute and fun to watch as well):
I just discovered this band today, randomly selecting “Gangsta” from their second album w h o k i l l to play from a list of new Alt/Punk releases on Rhapsody and falling for it right away. It always stuns me when a band I have no defenses against provokes strong negative reactions in others, and from my morning of exploration of this band, I’ve encountered a lot of viscerally negative remarks (which the kids these days call “hating”) among the comments on every one of their videos. It’s not just the music that people are reacting to. I guess it never is, really, but in tUnE-yArD’s case, most of it is inspired by the un-pop-star, androgynous quality of front woman Garbus.