Sheik Imran Hosein is an Islamic scholar of the Sufi tradition, born in Trinidad and educated in Pakistan and Europe. He’s been a diplomat in his native Trinidad and Tobago and imam at a Long Island masjid, among many other accomplishments. His academic specialty is Islamic eschatology, which, like Christian eschatology, concerns the end times. He gives a hint of the flavor of his scholarship at the end of the video posted above, the final segment of a three-part interview with a British vlogger who calls himself 108Morris108.
I’m posting the video here because, in a sense, Sheik Hosein answers a comment from Sreenivas on a previous post marveling at the audacity of Islamic protests against the film Innocence of Muslims in Libya and Pakistan. I have to say I think Sreenivas’s main point about the irrationality of the attacks is hard to argue against. And in fact, Hosein expresses a similar disdain for what he suggests is a non-Islamic reaction that, without reflection and in pure reflex, lashes out violently at the wrong targets. He suggests the protestors behave like puppets on a string being yanked by their enemies. Protestors should peacefully target their own governments, he says, as the Tunisians and Egyptians did in the spring of 2011. Why? Because their governments are enabling the enemies of Islam.
Oddly, he criticizes governments in the Arab world (namely Saudi Arabia) that are lending moral and other forms of aid to the Syrian rebels. Is it because he thinks the Syrian rebellion is essentially violent and “un-Islamic?” Actually, he implies that it’s because the Syrian government, whatever evils it has done in the past, is a steadfast bulwark against Israel. And here is where the Sheik’s eschatology comes in. Just like George W. Bush, the imam believes end times are nigh.
What a mad world we live in!
Curious about how the infamous “Innocence of Muslims” was ever made? The writer Neil Gaiman has one take on the story from a Georgia (former USSR)-born actress and friend of Gaiman’s named Anna Gurji. Here’s a little taste:
My character Hilary was a young girl who is sold (against her own free will) by her parents to a tribe leader known as GEORGE. She is one of his (most likely, the youngest) brides in the movie.
The film was about a comet falling into a desert and different tribes in ancient Egypt fighting to acquire it for they deemed that the comet possessed some supernatural powers.
The movie that we were doing in Duarte was called “Desert Warrior” and it was a fictional adventure drama. The character GEORGE was a leader of one of those tribes fighting for the comet.
There was no mention EVER by anyone of MUHAMMAD and no mention of religion during the entire time I was on the set. I am hundred percent certain nobody in the cast and nobody in the US artistic side of the crew knew what was really planned for this “Desert Warrior”. Continue reading
This afternoon, I had a very interesting conversation with Shabbir R Hassanally on Twitter about events of the last week in Libya and Egypt.
This raging mess in American relations with the Islamic nations, which has, as Michelle Obama might say, “revealed” more about both candidates’ character and abilities in foreign policy than either may have wished for, was alleged to have begun when a trailer for an intentionally inflammatory anti-Islamic film called “Innocence of the Muslims” made in California in July was translated into Arabic and posted on YoutTube. Thus, it became known to Egyptian Islamists who consequently rioted at the American embassy, starting a chain reaction of anti-American protests around the Middle East and beyond. According to the New York Times, the fatal attack on Ambassador Christopher Stevens and three others in Benghazi was the premeditated work of a Libyan paramilitary group with links to al-Qaeda that took advantage of the chaos over the riots against the film to execute a planned attack in retaliation for the drone-strike killing of a Libyan-born Qaeda official.
Huffington Post reports that the auteur behind the offensive film is one Nakoula Basseley Nakoula, a 55-year-old Egyptian-born Coptic Christian with a background that includes bank fraud and possibly meth manufacturing among other enterprises. Though the story is weird and complicated, it seems Nakoula, in cahoots with a group of radical right-wing Christian Islamophobes, hired a bunch of actors to shoot a script they were told was about a fictional character. After the cheapie was shot, Nakoula dubbed in the offending dialogue denigrating Mohammed as a clueless sex maniac, pedophile and with various other Nakoula-like interests. When the story broke on the afternoon of September 11, Nakoula’s identity was not yet known. He was hiding behind the pseudonym “Sam Bacile” and claiming to be an Israeli-born American who was working with contributions from a hundred Israelis. In the Muslim world, word spread quickly that Israel and the US had colluded on the film, that it reflected not just the opinions of a nutty director but official US policy, as dictated to it by Zionist Israel. Why Nakoula tried to implicate Israel in his offense is not known (as far as I know). (Was he trying to give the Apocalypse a little boost? If so, maybe he succeeded better than he expected.) Continue reading