Random Double Feature: Merry Christmas, Mr. Lawrence and Le Doulos

I wasn’t expecting to watch either Nagisa Oshima’s Merry Christmas, Mr. Lawrence (1983) or Jean-Pierre Melville’s Le Doulos (1962) last night. Almost randomly, I selected each just seconds before watching them from my Netflix instant watch list, where both had been sitting for perhaps a year or possibly more. Each made a surprisingly provocative complement to the other on my random double feature bill. Continue reading